‘Alice’: Film Review
A woman blindsided by her husband’s betrayal finds there is just 1 thing she could do to keep a roof on her son’s mind in Alice, a very ambivalent picture about prostitution from Josephine Mackerras. The writer-director’s first attribute has much going for it, over all a remarkable functionality by Emilie Piponnier from the title character. Neither a fallen-woman melodrama nor the encomium to guilt-free sex function, the complex moral tale has powerful artwork home possible.
Then 1 morning he leaves the house looking worried, and Alice discovers her bank cards do not work. Francois has emptied all their bank account, ceased paying their mortgage vanished, blowing off her panicked phone calls. Unless she can develop almost 8,000 euros in fourteen days, and keep that payment strategy for the near future, she will be evicted at a month.
After studying that Francois was spending substantial amounts of their cash on telephone women, Alice goes undercover to see the service he employed — and she is offered a project. The”purest woman” Francois has known finds herself not able to deny the possibility of becoming up to a few thousand euros each customer.
(She simply hates what she does stocks a tag with exactly what the victims of human trafficking have been made to do.)
But while Mackerras’ script might have stacked the deck somewhat in forcing Alice to this place — her first pleas for assistance from her mum and a friend are rebuffed with incredible callousness — its next action is not as tidy. Though he is deeply contrite and distressed for her to appreciate him , Francois is volatile in his neediness — before he learns how she is earning her cash. (As for Alice’s wealthy clients, they often tend toward the sympathetic and therefore are filmed with no salaciousness. We never watch her being abused, and also the most embarrassing experience finishes on a friendly notice.) Alice’s scenario has grown horribly complex; another surprise gives the movie an opportunity to deepen (if only temporarily ) its draw on the morality of trading sex for cash.
Finally, Mackerras is not as worried about this issue than with the destiny of her protagonist, a girl Piponnier has revealed to be determined and resilient. However difficult the situation strikes her originally, once she knows she is alone, she takes the challenge. “I take responsibility” she states near the conclusion, after confronting a set of injustices and risks.